Eric W. Becker

Senior Motion Designer

I thrive in digital creative platforms, bending nonlinear workflows, javascript expressions, and emergent AI tooling into fluid, future‑proof motion ecosystems. If your team needs someone who adapts instantly and delivers relentlessly, I’m your flux‑powered force multiplier.

visual display of the tools used by the motion designer
TOOLS

Skills that make the designer

Now wired to my creative cortex, humming like mischievous familiars. Thousands of hours have fused these into instinctual appendages, no longer software but semi‑sentient companions that whisper timing curves and chromatic secrets directly onto the composition timeline.

  • After Effects

    A temporal laboratory where I bend photons, pacing and narrative gravity into obedient choreography, sculpting each frame like a tiny thesis on rgb rhythm. Keyframes and bezier curves with a sly wink of creative amplification.
  • Cinema 4D

    A dimensional forge of crafted geometry and enchanted textures. I light scenes with surgical mischief, engineer node-based shader systems and realtime gpu renders — all in service to assets that offer what story demands.

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metrics

numbers don’t lie

My design language spans the full spectra of kinetic typography, chromatic theory, and high‑density visual abstraction, all unified under a signature cinematic clarity.

Awards earned
20+

Clio, Shorty, Webby, Promax, Golden Trailer award-winning contributions.

Faster renders
84%

Optimizing with Fast Box Blur instead of Camera Lens Blur.

Years of experience
10+

Total professional tenure across studios and agencies.

Assets produced
250+

Total volume of motion deliverables, seriously too many to count.

Clients

Client logos

Origin

What’s in a name?

"Kyzzak" was originally a D&D orc barbarian character who joyfully cleaved monsters with twin axes. Nowadays, it channels that same energy into motion design — slicing through complex creative problems with precision, humor, and cinematic force.

It’s an internet identity: memorable, cringe, geeky, and unmistakably mine — a name that feels both mythic and modern while promising bold, inventive work every time.

  • Kinetic typography tuned to rhythm and clarity.
  • Chromatic systems that support narrative contrast.
  • High-density visual abstraction with cinematic clarity.

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Portrait of the motion designer

Consume Motion Pixels

Detonate your curiosity and warp‑jump into my demo reel to witness the full-spectrum, hyper-cinematic, motion sorcery so paramount it files its own mountain‑sized tax returns.

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